This makes it possible to musically apply extreme EQ settings that would not be possible with a traditional EQ. But LISA’s parallel circuitry allows individual bands to be processed in similar fashion to a mixing console, enabling more extensive, more sensitive and more subtle processing. In the conventional series wiring found in most EQs, 100% of the distortion and rectification influences the signal path. Parallel bands for more forgiving processingĪnother unique feature of LISA is its parallel circuit concept. Use the separate mono version of the plugin to elegantly reshape single instruments like bass guitar, drums and voice. It can reduce sibilance in vocals or harshness in cymbals without sacrificing brightness, and even precisely target specific elements in the mix, especially in mid-side mode. This dynamic EQ was designed with mastering applications in mind, making it perfect for controlling kick and bass without reducing low frequency extension, or enhancing them without adding undue boominess to the mix. With its proportional bandwidths, deeper cuts become increasingly more narrow and surgical, while larger boosts become tighter, more precise and note-like as they increase in intensity.Ī perfect complement to the master buss, and selected individual tracks Rather than simply applying a fixed EQ curve, the extent of your cut or boost breathes and dances along with your audio. With a layout reminiscent of the high-end Sontec and Massenburg EQs, LISA invites an intuitive, ears-first approach to sculpting your tone. Its program-dependent compression and expansion averages around a 3:1 ratio, or a selectable 10:1 ratio-both with a soft knee, and the option to change between slow, medium and fast settings for attack and release.ĭials in like an old school EQ, controls like a high-end compressor LISA employs a dedicated, modern opto compression circuit for each of its six bands per channel.
Six bands of smooth opto compression and expansion Now you can take advantage of the character and workflow of this boutique mastering-grade hardware in the box.
This exacting model of the original brings a new way of applying dynamic EQ to the digital domain. TOMO Audiolabs’ LISA is the only tool of its kind: An all-analog dynamic EQ, featuring a dedicated opto compressor cell for each of its 6 bands.
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